Facsimiles of Theatrum Orbis Terrarum by Abraham Ortelius (1527-1598), Flemish scholar and geographer This event is free and open to the public. Dillard Lobby Gallery
William Gropper, John Henry, from the American Folklore portfolio, lithograph, 1953 Cultural Witness examines works of art from the sociological perspective such as Rites of Passage, Shelter, Sustenance, Race and Ethnicity, Gender, Spirituality and Religion, Personal Adornment as Rank and Prestige, Transmission of Social Mores, and Music, Dance, and Storytelling. This event is free and […]
Pierre Daura, Burning Brush, (detail), watercolor on paper, ca. 1945-70 When Pierre Daura first saw the Blue Ridge Mountains of Virginia, they impressed him as “grandiose as nothing I had […]
Facsimiles of Theatrum Orbis Terrarum by Abraham Ortelius (1527-1598), Flemish scholar and geographer This event is free and open to the public. Dillard Lobby Gallery
William Gropper, John Henry, from the American Folklore portfolio, lithograph, 1953 Cultural Witness examines works of art from the sociological perspective such as Rites of Passage, Shelter, Sustenance, Race and […]
Pierre Daura, Burning Brush, (detail), watercolor on paper, ca. 1945-70 When Pierre Daura first saw the Blue Ridge Mountains of Virginia, they impressed him as “grandiose as nothing I had […]
Facsimiles of Theatrum Orbis Terrarum by Abraham Ortelius (1527-1598), Flemish scholar and geographer This event is free and open to the public. Dillard Lobby Gallery
William Gropper, John Henry, from the American Folklore portfolio, lithograph, 1953 Cultural Witness examines works of art from the sociological perspective such as Rites of Passage, Shelter, Sustenance, Race and […]
Pierre Daura, Burning Brush, (detail), watercolor on paper, ca. 1945-70 When Pierre Daura first saw the Blue Ridge Mountains of Virginia, they impressed him as “grandiose as nothing I had […]
Facsimiles of Theatrum Orbis Terrarum by Abraham Ortelius (1527-1598), Flemish scholar and geographer This event is free and open to the public. Dillard Lobby Gallery
William Gropper, John Henry, from the American Folklore portfolio, lithograph, 1953 Cultural Witness examines works of art from the sociological perspective such as Rites of Passage, Shelter, Sustenance, Race and Ethnicity, Gender, Spirituality and Religion, Personal Adornment as Rank and Prestige, Transmission of Social Mores, and Music, Dance, and Storytelling. This event is free and […]
Pierre Daura, Burning Brush, (detail), watercolor on paper, ca. 1945-70 When Pierre Daura first saw the Blue Ridge Mountains of Virginia, they impressed him as “grandiose as nothing I had ever known.” He saw his landscape paintings as “an important contribution to help people discover the beauty of their land...to inspire men with a love […]
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